Spitfire Audio Crack: ALBION 3 – APOCALYPTIC LOW END, CONSISTING OF THE LARGEST EVER CELLI, BASS, BASS, AND WOODWIND SECTIONS FOR A COMMERCIAL LIBRARY. AS WITH ALL ALBION IT DOESN’T STOP THERE, ICENI IS AN ANTHOLOGY THAT CELEBRATES THE LOW END. IF HYBRID ORCHESTRAL IS YOUR THING, MIXING IT UP WITH DUBSTEP AND DRUM AND BASS, YOU NEED TO PUT THE KEYS INTO THE LOCK OF THIS MONSTER!
THIS LIBRARY IS A FREE “KONTAKT PLAYER” LIBRARY AND REQUIRES NO FURTHER PURCHASES TO OPERATE TO ITS FULL POTENTIAL.

your new library needs to be added before this instrument

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FEATURES
CINEMATIC LOW-END APOCALYPSE
WHERE ORCHESTRAL EPIC DINES OUT WITH THE ROUGHEST FILTHIEST DUBSTEP AND GRIME.
Where Albion I was a set of broad cinematic aerosol cans, Albion – Volume II – Loegria a finer set of detailed sable brushes. Albion III Iceni is a cricket bat, a mace, a large trunk of the blunt tree to bludgeon to death any track or cue it comes near.
Iceni is an investigation into low-end, thundering enormity, horrifying rasp, and obliterating distortion.
Our most expensive commercial venture to date was recorded to tape via the rarest set of valve and ribbon mics in the hall at Air Lyndhurst, one of the greatest recording studios in the world (Batman Returns, Gladiator, Bourne Ultimatum, Harry Potter, Hunger Games).
The orchestral tool-set is primitively simple and effective; longs, legatos, shorts, with some of the most mind-boggling FX in the brass and woods. They’re designed for anyone to use regardless of their experience or understanding of orchestral disciplines and are scaleable on a variety of systems. This is a must-have library whether you’re writing trailers, computer games, TV, or film drama or need the new tool for the next generation of Dubstep, Breakbeat, Crunk, or Grime.

DARWIN III
All new recordings to add to this thunderous series. The largest and lowest sets of drums available for use in London, including rare British marching toms. Played by the leader and members of the Olympic opening ceremony’s drum corps.

STEPHENSON’S STEAM BAND III
Derived from the orchestral sessions, combined with filthy analog gear from the 60s and 70s (including processors owned and used by Jimi Hendrix). Stephenson’s III is the lowest and rudest selection of “synth” patches in the range. Ideal for room shuddering full bandwidth bass with contemporary vowel and notch filters for that orchestral BWOAR BWOAR BWOAR! URL

THE ALBION ORCHESTRA “ICENI” SESSIONS.
The largest, assembled world-class, low-end orchestra for a commercial sample project to date.
The English Session Orchestra just got very very fat and very very frightening:
Winds: 2 contra bassoons, 2 contrabass clarinets, heckelphone, 2 bassoons, 2 bass clarinets, 1 bass saxophone.
Brass: 2 tubas, 2 cimbasso, 2 contrabass bones, 3 bass bones.
Strings: 0,0,0,24,8 Yes….. that’s no violins, no violas, but 24 ‘Celli, and 8 Basses. Recorded both tuttis and in two ‘Celli sections with the ‘Celli split into two on either side of the room with the Basses in the middle. It simply has to be heard to be believed.

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Spitfire Audio Crack: If there was a single product that could sum up the foundation of Spitfire’s approach to sampling it would be this. Recorded at the studio that has played host to scores from blockbusters that have grossed billions of dollars, with the same players playing the same instruments. Deep sampled with our usual affluent approach. If you want the blockbuster sound you have to go bold, if you want cinematic you have to go big. The ultimate encyclopaedic compendium of Symphonic strings sampling, recorded in London, with no expense spared. SSS is the ‘Daddy’.

60 Star Players, 16 1st Violins, 14 2nd Violins, 12 Violas, 10 Cellos & 8 Basses super deep sampled with over 175 articulations, including 59 shorts, 94 longs, and 5 extraordinary performance legato patches programmed by Andrew Blaney. Recorded with multiple round robins, dynamic layers and presented with 3 essential and versatile microphone positions. In addition to each section, we also have a comprehensive selection of articulations and techniques presented in an ‘ensemble’ format designed for sketching and composing with ‘out of the box’ satisfaction.

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This is our shot at creating the definitive compendium of Symphonic strings, recorded with a no-holds-barred approach. From classic and elegant vibrato, and expression controlled ‘dolce’ samples, to our own up-to-the-minute techniques designed by our award-winning team of composers and producers. Highlights of these include our hugely popular ‘flautando’ and ‘super sul tasto’ articulations.

Go as detailed as you wish with each section individually, or dive in with our specially curated ‘ensembles’ tools designed for quick writing and broad brush strokes.

Buying or cross-grading into this core set of samples allows you the opportunity to purchase expansion packs with more microphones and mixes, and other exciting add-ons, like the exclusive and much sought after “Evolutions” pack.

BACKGROUND

Spitfire Audio was built on a very simple core concept. Surely the best way to create samples that enable people to recreate some of the most successful, award-winning recordings of recent times, is to not imitate, but simply replicate where and how they were recorded. Along with the instruments and talent that appeared on those recordings, and the way they were instructed to play.

SSS is a consolidation of nearly a decades worth of sampling experience, befriending London’s finest string players and through a process of Kaizen (that can be tracked through over 20 unique strings libraries we have made) perfecting the ideal balance of life, realism and soul with the accuracy, playability and scripting innovations that you have come to expect, from a library that contains a component that was awarded “Best Sample Library Of The Year 2014″ by Music Tech magazine.

By rationalising what was formerly contained in 4 separate volumes, SSS is now an encyclopaedic compendium of Symphonic Strings.

GUYS

THE OVERVIEW PANEL

Gives you a quick and easy way to access, view and load the different articulations, mic mixes and essential controller functions which you can then re-assign to suit your workflow.

GENERAL CONTROLS PANEL

A deeper but still simple UI panel that allows you to tweak the general settings. How many round robins you would like and how you would like them to behave. How would you like memory to be organised alongside pitch options and how velocity works.

THE OSTINATO

Quite simply a little inspiration machine. Not quite an arpeggiator, not quite a sequencer. This intuitive device allows you to build up complex patterns that react to your playing to achieve wild systems results from tantalising Zimmeresque tension beds or cheeky multi-tonguing effects!

FEATURES

Every articulation for every section plus ensembles formerly available in Mural volumes 1, 2, 3 & Ensembles in a single encyclopaedic compendium:

• 175 articulations, including 59 shorts, 94 longs, & 45 legatos
• 60 Top London string players
• Recorded in situ (ie: in the positions they occupy in a scoring session)
• Recorded using a priceless valve and ribbon mics
• Neve Montserrat Pre-amps into a Neve 88R desk
• Recorded digitally at 96k via 2” Studer tape
• Deep sampled with multiple dynamic layers and round robins
• Diverse and detailed with essential, additional and some unique articulations
• Legatos designed by Andrew Blaney
• Individual sections and ensembles
• 3 essential, diverse and most favoured mic positions: C(lose), T(ree), A(ambient)
• Kontakt Player included
• NKS-ready
• New intuitive GUI with the inline help system
• As used by A-list composers and producers around the globe!

PC/MAC

BIG THANKS TO TEAM MAGNETRiXX

ENJOY

PLEASE SEED THANKS

Size: 94.79 GB

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